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Who is she?

Maisa Imamović (BiH, 1994) is a researcher, web designer/developer, and experimental educator. She critically studies the role of the single user and user behaviors generated by code. She codes to organize her thoughts, respond to political gems, and socialize. Text + Code are her main mediums. Since 2019, Maisa has written code in collaboration with artists, collectives, and cultural institutions including Hackers&Designers, Ali Eslami, Marlies van Hak, Merel Smit, VEIN Agency, CalArts, LASP (Gerrit Rietveld Academie) and was published in Kajet, Simulacrum, Forum, TAAK, Real Review, NXS World, Metropolis M, Other Worlds. Her first book was published by the Institute of Network Cultures in 2022 where she is a senior researcher. She is ⅓ of Rip Space—media arts project space in Los Angeles. In 2024, she obtained her MA degree in Aesthetics & Politics at the California Institute of the Arts and was kindly supported by Prins Bernhard CultuurFonds. In the past year, she taught creative coding and the history of cyberfeminism as an adjunct professor at USC Media Arts + Practice, UCLA Design Media Arts, ArtCenter Interaction Design, CalArts Integrated Media. She is currently writing her second book with Set Margins and is supported by Mondriaan Fonds.

Maisa and her dog Kaya,
home 2025.

Hey to: maisaimamovic@gmail.com
Available for more work: October 1, 2025
This is an Instagram icon |  This is a Design Portfolio 

This website is not a CV per se, but absolutely inspired by the template of one. The list below is a collection of facts related to my practice. Some of these facts represent commissioned projects, proof of work, labour of love - they all track moments in my life + career that I humbly consider as personal traces of success. Users can highlight them for a more linear reading experience.

highlight , or show what's . Btw, you're in 'Selected Works' mode, but can .

Reading at Soho House DTLA for Nada Alic's next Read2Me event,

Really Radical Summer School, 11-14 September @Rip Space,

Book #2: Title Pending, November 2025,

Essay: Confessions of an Adjunct Professor in the Age of Automated Knowledge — contribution to Data Fluency Catalogue (by Roopa Vasudevan) [catalogue launch in Fall 2025],

Essay: Towards a Feminist Inte(r)n(e)t - contribution to Tactical Media Reader (by INC) [book out in Feb/March 2026]...



Maisa Imamović (BiH, 1994) is a researcher, web designer/developer, and experimental educator. She critically studies the role of the single user and user behaviors generated by code. She codes to organize her thoughts, respond to political gems, and socialize. Text + Code are her main mediums. Since 2019, Maisa has written code in collaboration with artists, collectives, and cultural institutions including Hackers&Designers, Ali Eslami, Marlies van Hak, Merel Smit, VEIN Agency, CalArts, LASP (Gerrit Rietveld Academie) and was published in Kajet, Simulacrum, Forum, TAAK, Real Review, NXS World, Metropolis M, Other Worlds. Her first book was published by the Institute of Network Cultures in 2022 where she is a senior researcher. She is ⅓ of Rip Space—media arts project space in Los Angeles. In 2024, she obtained her MA degree in Aesthetics & Politics at the California Institute of the Arts and was kindly supported by Prins Bernhard CultuurFonds. In the past year, she taught creative coding and the history of cyberfeminism as an adjunct professor at USC Media Arts + Practice, UCLA Design Media Arts, ArtCenter Interaction Design, CalArts Integrated Media. She is currently writing her second book with Set Margins and is supported by Mondriaan Fonds.

Please switch to desktop version to browse through the list of Maisa's projects spanning the last seven years of independent practice across web development + design, critical theory, cultural organization, art, curation, and pedagogy.

If you’re interested in hiring Maisa for paid projects or collaborations, feel free to get in touch via email: maisaimamovic@gmail.com. (Yes, she's still making websites). Her next availability for more work is: October 1, 2025.